Kodak Gold 200asa 35mm - 36 exp Single

Product Information

One of the most important factors when evaluating a film is the amount of “exposure latitude”. In the simplest terms, exposure latitude means the amount that a film can be over or under exposed while still producing an acceptable image. Every one of the Kodak color films available today features a daylight color balance. Kodak films are also known for their warm tones that many people associate with “the film look”. That’s not to say there’s no information about it floating around though, and a little digging has led me to this goldmine of knowledge. It’s a great budget option, making film photography more accessible to a broader range of photographers, including both hobby photographers and beginners. We love that Kodak has found a way of allowing more people to go beyond a digital camera and try out film photography. There’s nothing quite like shooting on film to make you slow down and enjoy taking photos. Easy to Find Its initial low ISO setting provides a very fine grain that gives the latitude to play around in the developing, editing, and printing process. However even with its lower sensitivity, Its grain structure isn’t as smooth as Kodak Gold or Ultramax, two of Kodak’s other lower-priced consumer-level films.

The lighting conditions and accuracy of your exposure also significantly affect the saturation and contrast when shooting Kodak Color Plus. For a consumer film at an affordable price, the grain is fine, smooth, and subtle. It compares favorably to other cheap films, creating natural, vintage-looking images. With other budget films, corners have been cut to produce a cheaper product, meaning that you end up with heavy grain. That’s not true with this great film from Kodak.Once again, the humble Kodak Color Plus falls in the middle of the road – this time in terms of grain. Images made on Eastman Double X tend to have a gritty, stark overall tone. Under controlled lighting and with precise exposure and filter usage this film can exhibit the smooth, beautiful midtones it was formulated for, but in high contrast situations this film easily takes shadows and highlights right to the edge, crushing shadows and blowing highlights left and right. It’s not a film for every situation, but rewards discretion and meticulous shooting with contrasty, beautiful images.

Kodak Gold 200 is another film that won’t break the bank and brings that ISO 200 too, but it’s still not as cheap as the ColorPlus. While you could argue about the differences of every little detail, we think it comes down to a simple distinction. Remember, Kodak Gold 200 is inexpensive and available everywhere, consistent and reliable, and hard to mess up when shooting. This makes it ideal if you’re just starting with film photography yourself.

Conclusion: Kodak Ultramax vs Gold: Which Film is Better?

I don’t know if you’ve shot Kodak Gold 200, or plan to now having read this review. I will say this, though. If you were alive in Hulk Hogan’s heyday, you’ve likely been shot on it. Kodak Gold 200 is a 120 consumer-grade film, like 35mm films ColorPlus 200 and UltraMax 400. In comparison, you can expect more saturation than Kodak ColorPlus, and warmer tones than Kodak UltraMax. You won’t get as fine a grain as Kodak Portra 400 120. Take care when developing this film – follow Kodak’s recommendation to develop it in full darkness for the best results. Kodak Gold 200 Review: The Features and Benefits The 200 ISO rating isn’t the fastest, and you do have Kodak Ultramax 400 if you need more speed, but I like to shoot in the kind of light where 200 is enough anyway. When I did so, the grain and contrast in the results were all good. Kodak’s slowest offering in the Portra lineup is also one of their most intriguing. Portra 160 is perhaps the most archetypical of the Portra philosophy – it offers a subtler, gentler color palette when compared to other color negative emulsions. Pair this understated color palette to the fine grain offered by an ISO 160 film, and you end up with one of the finest portraiture films on the market.