Akira 35th Anniversary Box Set

Product Information

In Akira Kurosawa's first film after the end of World War II, future beloved Ozu regular Setsuko Hara gives an astonishing performance as Yukie, the only female protagonist in Kurosawa's body of work and one of his strongest heroes. Transforming herself from genteel bourgeois daughter to independent social activist, Yukie traverses a tumultuous decade in Japanese history. This portrait of female volunteer workers at an optics plant during World War II, shot on location at the Nippon Kogaku factory, was created with a patriotic agenda. Yet thanks to Akira Kurosawa’s groundbreaking semidocumentary approach, The Most Beautiful is a revealing look at Japanese women of the era and anticipates the aesthetics of Japanese cinema’s postwar social realism. Jean Renoir and Akira Kurosawa, two of cinema's greatest directors, transform Maxim Gorky's classic proletariat play The Lower Depths in their own ways for their own times. Renoir, working amidst the rise of Hitler and the Popular Front in France, had need to take license with the dark nature of Gorky's source material, softening its bleak outlook. Kurosawa, firmly situated in the postwar world, found little reason for hope. He remained faithful to the original with its focus on the conflict between illusion and reality—a theme he would return to over and over again. Working with their most celebrated actors (Gabin with Renoir; Mifune with Kurosawa), each film offers a unique look at cinematic adaptation—where social conditions and filmmaking styles converge to create unique masterpieces. After finishing what would become his international phenomenon Rashomon, Akira Kurosawa immediately turned to one of the most daring, and problem-plagued, productions of his career. The Idiot, an adaptation of Fyodor Dostoyevsky's nineteenth-century masterpiece about a wayward, pure soul's reintegration into society—updated by Kurosawa to capture Japan’s postwar aimlessness—was a victim of studio interference and, finally, public indifference. Today, this "folly" looks ever more fascinating, a stylish, otherworldly evocation of one man’s wintry mindscape. A grand-scale adventure as only Akira Kurosawa could make one, The Hidden Fortress stars the inimitable Toshiro Mifune as a general charged with guarding his defeated clan’s princess (a fierce Misa Uehara) as the two smuggle royal treasure across hostile territory. Accompanying them are a pair of bumbling, conniving peasants who may or may not be their friends. This rip-roaring ride is among the director’s most beloved films and was a primary influence on George Lucas’s Star Wars. The Hidden Fortress delivers Kurosawa’s trademark deft blend of wry humor, breathtaking action, and compassionate humanity.

Breathtaking in scope, and utterly fascinating. As a long time fan of the film I finally broke down and bought this boxed set so I could read the source material. Someone wrote in a review I read that the movie is more of an introduction to the story in the books, and boy were they right about that. There is so much more to this story than the movie ever touched on.Toshiro Mifune swaggers and snarls to brilliant comic effect in Akira Kurosawa's tightly paced, beautifully composed Sanjuro. In this sly companion piece to Yojimbo, jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a "proper" samurai on its ear. Less brazen in tone than its predecessor but equally entertaining, this classic character's return is a masterpiece in its own right. An all-new, complete 35th anniversary hardcover box set of one of the most acclaimed and influential comics of all time, with the original Japanese art and right-to-left reading format for the first time! The science fiction epic that changed anime and manga forever is presented in six beautiful hardcover volumes, plus the hardcover Akira Club art book and an exclusive patch with the iconic pill design.

First time I became aware of Akira was in the mid 90s or towards the late 90s. And it was the anime. All I saw was the cover for the video cassette. And learned there was a manga too sometime later. So up until now, actually and finally reading the manga, 40 years after it was first published, I thought the person on the cover was Akira! Now obviously I know that it is Kaneda that's on the cover with his motorbike! I knew it was a classic, but I was blown away at how fantastic this series actually is! Each volume is now housed in a sturdy hardcover and, unlike previous English printings, now reads in the traditional right-to-left. The manga also retains the original hand-drawn sound effects and is printed on high-quality paper, so Otomo’s detailed art is incredibly crisp. Akirahas never looked better. J'imagine sans problème comment le film a pour devenir un chef d'oeuvre en ne gardant que l'essentiel. (On m'a dit par exemple que le personnage d'Akira lui-même n'est pas dans le film. Ça m'amuse d'imaginer le personnage éponyme absent, mais je comprends parfaitement le choix : Akira est inutile.) Kurosawa’s first film was such a success that the studio leaned on the director to make a sequel. The result is a hugely entertaining adventure, reuniting most of the major players from the original and featuring a two-part narrative in which Sanshiro first fights a pair of Americans and then finds himself the target of a revenge mission undertaken by the brothers of the original film’s villain. One of the greatest achievements by Akira Kurosawa, Ikiru shows the director at his most compassionate—affirming life through an explora­tion of death. Takashi Shimura beautifully portrays Kanji Watanabe, an aging bureaucrat with stomach cancer who is impelled to find meaning in his final days. Presented in a radically conceived two­part structure and shot with a perceptive, humanistic clarity of vision, Ikiru is a multifaceted look at what it means to be alive.

So what makes this box set so special?

One of the most thrilling movie epics of all time, Seven Samurai ( Shichinin no samurai) tells the story of a sixteenth-century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits. This three-hour ride from Akira Kurosawa—featuring legendary actors Toshiro Mifune and Takashi Shimura—seamlessly weaves philosophy and entertainment, delicate human emotions and relentless action, into a rich, evocative, and unforgettable tale of courage and hope. The story decides to focus a bit too much on too many characters, making the important moments for the ones who really matter hit way less. The positive and weirdly nationalist ending is also very hard to believe and take serious. The families of the victims are baffled. The police investigating the deaths don't know what to make of it all, but as they follow the bizarre trail of clues, they get closer to a killer they're incapable of stopping. But when a little girl moves in with her family, the old man is suddenly confronted by someone determined to stop his malevolent games, a child with powers that might exceed his own. The town-sized apartment complex becomes a battlefield between two psychic juggernauts, and the old man's malicious games unleash a storm of telekinetic fury that threatens to kill hundreds of innocent people. Otomo's first masterpiece is overshadowed by the grandeur of Akira, but both the art and the story display the full-range of his creative powers. In an apartment mega-complex with thousands of residents, the suicide rate has risen dramatically. An old man with terrifying psychic abilities has become senile, and is now indulging his deadly and selfish whims, manipulating the residents like puppets and sending some to their deaths. As someone who owns multiple versions of the series (did I mention I’m a huge fan?), this is the definitive version of the manga.